Call for submissions
Axon Capsule 3 : Inhabiting Language
This issue is connected to a one-day symposium to be held during the Poetry on the Move Festival, 13-17 September 2018, hosted by the International Poetry Studies Institute (IPSI) in the Faculty of arts and Design at the University of Canberra.
This Special Issue of the Axon journal aims to explore ways in which contemporary poetry ‘inhabits’ language, and the extent to which poetic language may be understood as inside and/or outside of human experience.
We are particularly interested in papers that relate to:
- How poetic expression and form may be said to ‘inhabit’ language.
- How poetry inhabits its language differently from prose, and how poetry dwells in the possible (remembering that Emily Dickinson wrote that she dwelt ‘in Possibility’ and that this was ‘a fairer House than Prose’).
- The ways in which poets ‘inhabit’ language in order to write their works.
- Poetry’s capacity to inhabit various and divergent languages through translation.
- The relationship of poetry to experience and knowledge.
- Poetry and autobiography.
- The space and time of poetry.
- The connection of poetry to ideas of home, place or belonging.
- Poetry’s connection to the quotidian.
- Poetry’s ways of ‘inhabiting’ diverse identities.
- The way poems ‘house’ ideas and emotions.
- Poetry as a way of knowing and/or inhabiting the ‘other’.
- Poetry and its relationship to language more broadly.
- Ways in which lyric utterance may be said to ‘belong’ inside human experience.
What we would like from contributors:
1. A 150-word abstract of your proposed paper by 20 April 2018.
2. If your abstract is accepted (we will notify you by 30 April 2018), a full written paper of between 3,000 and 6,000 words by 15 August 2018.
The editors of this issue of Axon: Creative Explorations journal are Professor Paul Hetherington, Professor Jen Webb and Shane Strange.
All abstracts, papers and related correspondence should be addressed to Shane Strange at Shane.Strange@canberra.edu.au
Axon Capsule 2: The poetic line: recent innovations
From Mallarmé onwards, the parameters of the line have been manipulated in diverse ways by poets from Williams to Olson, Howe, Hejinian and others. Whether concentrating on the concept of the breath as a defining unit, harnessing a particular speech rhythm or responding to visual prompts – some of which reflect the internet age and new media - the poetic line is neither static nor redundant in contemporary practice. An exploration of poetic structure via the line still offers vital alternatives to prose, yet may be deeply influenced by it.
The 2nd Axon Capsule focuses on recent innovations and theories of the poetic line and will be published as soon as ready. The deadline for submissions is 1 October.
- Creative practice which engages with experiments in lineation
- Theories of lineation
- Intersections between the poetic line and visual art
- The line and typography
- The line and performance
- Tensions between the line and the sentence
- The line and music
- The line and digital media
The editor of this Axon Capsule is Owen Bullock.
Go to the Submission Manager, follow the instructions on that site, and upload your work. We will respond as soon as the review process is completed.
Axon: Creative Explorations 8.2: Speaking about creative practice (due for publication in April 2018)
Poets, fiction writers and visual artists are known first through their public work, but behind that lies a life and a practice, a community and a context. This issue of Axon: Creative Explorations focuses entirely on contemporary interviews with these makers, acknowledging that face-to-face interviews generate spontaneity and intimacy while allowing the interviewer to probe for information of all kinds. It is a powerful written form, as evidenced by success of the long-running Paris Review series Writers at Work. This issue of Axon includes
- Conversations between creative writers and artists in the same or in different forms
- Interviews exploring the background of creative practitioners
- Interviews exploring how creative artists think themselves into their work
- Conversations about how artists and writers understand the work of being an artist and their approaches to the creative process
The deadline for submissions is 31 October 2017, and the proposed publication date is April 2018.
This issue will be edited by Paul Hetherington, Jen Webb and Cassandra Atherton
To submit, please go to the Submission Manager, follow the instructions on that site, and upload your work. We will respond as soon as the review process is completed. Submissions should be received by 31 October 2017
Please note that poetry published in Axon will be solicited by the journal’s editors. Unsolicited contributions of poetry will not be read or acknowledged.
Articles, essays, papers and other scholarly contributions are peer reviewed. The reviewing process is double blind, so that neither author(s) nor reviewers should know of the others’ identities at any time.
In producing a research-based paper, authors should be drawing on a sound framework of scholarship relevant to the paper’s topic, rather than purely on personal experience and/or anecdotal evidence, although some personal and/or anecdotal material is a legitimate part of many good papers. Papers for Axon are welcome to take a creative or lateral approach to their topic, or to mix more than one genre of writing, or to incorporate images or other graphic work. Papers are expected to make a contribution that extends the current literature in the field. Final revised articles, papers, essay and interviews (including endnotes) will be a maximum of 6,000 words in length.
The journal does not, as a rule, publish short fiction or excerpts from longer fictional works, but creative work other than poems will be accepted for refereeing if they make a distinctive contribution to knowledge that extends the current scholarly literature in the field and are accompanied by a 250-word exegetical statement for publication. The statement should indicate the research significance of the creative piece and will draw on a sound framework of methodology and scholarship relevant to the work’s topic.
All poetry published in Axon will be solicited by the journal’s editors. Unsolicited contributions of poetry will not be read or acknowledged.
Writing and formatting information for authors
All papers and other contributions to Axon: Creative Explorations will be vetted for final acceptance by the journal’s editors. If you are unfamiliar with the kind and quality of contributions, including the scholarly standards of papers, published in the journal, please read recent issues.
- Author-date system in-text, with a listing of works cited
- Endnotes, not footnotes (please use minimally and include in word count)
DeLillo, D 2001 The body artist, London: Picador
Woods, C 2006 ‘Writing, textual culture and the humanities’, in N Krauth and T Brady (eds) Creative writing: theory beyond practice, Teneriffe: Post Pressed, 121-135
Print journal article
Eickelkamp, U 2010 ‘Children and youth in Aboriginal Australia: an overview of the literature’, Anthropological Forum 20: 2, 147-66
DeLillo, D 2001 ‘In the ruins of the future’, Harper’s magazine, December, 33-40
Krauth, N 2002 ‘The preface as exegesis’ TEXT 6: 1, at
http://www.textjournal.com.au/april02/krauth.htm (accessed 12 March 2011)
Kulikowski, M 2007 ‘Mayday 23: world population becomes more urban than rural’, NC State University News Services, 22 May, at http://news.ncsu.edu/releases/2007/may/104.html (accessed 9 September 2011)
Kroll J 2004 ‘The exegesis and the gentle reader/writer’ TEXT Special Issue Website Series No 3, at http://www.textjournal.com.au/speciss/issue3/kroll.htm (accessed 10 July 2011)
McEwan, I 2001 ‘Only love and then oblivion’, The Guardian special report: terrorism in the US, at www.guardian.co.uk/usterrorism, 15 September (accessed 17 September 2011)
Zizek, S 2001 ‘Welcome to the desert of the real!’
http://web.mit.edu/cms/reconstructions/interpretations/desertreal.html, 15 September (accessed 19 October 2011)
General formatting instructions
Please submit articles, essays and interviews as Word documents, adhering to the following detail.
- Front matter
<One line break>
<One line break>
<One line break>
Abstract directly below
<One line break>
Bio note immediately below
<One line break>
Words immediately below – initial caps, spaced en-dashes
- Body text
Endnote references set as superscript
Single quotation marks throughout except for quotations within quotations
Indented quotes (3 lines or more)
- End matter
- Works cited
Styled as detailed above